Inertia (This House has a Stomach)
Jaana Carlyle Morrison
A white-pasted dollhouse sits atop a cabinet, from which emits sound, though it is never clear enough to meaningfully discern. Within the house, there are two dimly-lit suggestions of rooms. The first floor has curtains of words that open to nothing but more white wall; the ground floor, in turn, contains nothing but the painting of some more furnished living room. The work invites audiences to investigate this simulated domestic space by becoming a kind of voyeur to it. Is something wrong?
Process
